Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Siegel, Hedi | A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbüchlein. |
[ce]SchenkerStud |
| | 1990 |
15-28 |
|
| 2. | Novack, Saul | Foreground, middleground, and background: Their significance in the history of tonality. |
[ce]SchenkerStud |
| | 1990 |
60-72 |
|
| 3. | Loeb, David | Dual-key movements. |
[ce]SchenkerStud |
| | 1990 |
76-83 |
|
| 4. | Laskowski, Larry | J. S. Bach's 'binary' dance movements: form and voice leading. |
[ce]SchenkerStud |
| | 1990 |
84-93 |
|
| 5. | Siegel, Hedi (ed.) | Schenker Studies. |
[ce]SchenkerStud |
| | 1990 |
xii, 206p |
|
| 6. | Petty, Wayne C. | C.P.E. Bach and the fine art of transposition. |
[ce]SchenkerStud |
2 | | 1999 |
67-81 |
|
| 7. | Wen, Eric | Bass line articulations of the Urlinie. |
[ce]SchenkerStud |
2 | | 1999 |
276-297 |
|
| 8. | Schachter, Carl; Siegel, Hedi (eds.) | Schenker studies. II. |
[ce]SchenkerStud |
2 | | 1999 |
xiii, 319p |
|